“Peruvian artist LU.CU.MA spent 27 years in jail for the murder of his brother, among other crimes. After his release, LU.CU.MA—short for Luis Cuevas Manchego—swore to turn himself around. He traded the machine guns, hand grenades, and knives that he once used to ambush buses for art supplies.
VICE traveled to Lima, Peru, to talk to LU.CU.MA about his life, how he uses art as a way to repent, and why all his paintings involve things like corrupt politicians being beheaded by snakes.”
“Kinetic object with 32 independently moving lines. Controlled by an integrated computersystem. The video shows some of the constantly changing ordered and random structures that appear and disappear. Dimensions: 4.20m X 2.80m. 2007 – 2010.”
Frida Kahlo de Rivera (Spanish pronunciation: born Magdalena Carmen Frieda Kahlo y Calderón; July 6, 1907 – July 13, 1954)was a Mexican painter who is best known for her self-portraits.
Kahlo’s life began and ended in Mexico City, in her home known as the Blue House. Her work has been celebrated in Mexico as emblematic of national and indigenous tradition and by feminists for its uncompromising depiction of the female experience and form.
Mexican culture and Amerindian cultural tradition are important in her work, which has been sometimes characterized as naïve art or folk art. Her work has also been described as surrealist, and in 1938 André Breton, principal initiator of the surrealist movement, described Kahlo’s art as a “ribbon around a bomb”.
Kahlo had a volatile marriage with the famous Mexican artist Diego Rivera. She suffered lifelong health problems, many caused by a traffic accident she survived as a teenager. Recovering from her injuries isolated her from other people, and this isolation influenced her works, many of which are self-portraits of one sort or another. Kahlo suggested, “I paint myself because I am so often alone and because I am the subject I know best.” She also stated, “I was born a bitch. I was born a painter.”